I was once described as a language director. This is partly due to my color-coded bookwork and because I tend to be attracted to absurd, wordy plays. I enjoy needing to read a piece multiple times. I'm also a big fan of silence onstage but maybe that's my love of the Pinter Pause talking. I've also worked in theatre for young artists as a teaching artist and believe that an education in the arts leads to a more empathic world.